Laboratory Copper Steam Bath
…
Because that’s just how The Skylark of Space begins – with an
explosion in Dr. Richard Seaton’s laboratory. As part of his investigation of a
mysterious, unidentified substance (referred to as “X”), Seaton had been electrolyzing
it over a copper steam bath. A soon as he applied the electric current, his
entire experimental apparatus, steam bath and all, “took off” and flew out the
conveniently located (only the first of at least 5,000 similarly fortunate
coincidences to follow in the book) open window of his laboratory, headed for
parts unknown. By chapter’s end, Seaton will have deduced that he has unwittingly
discovered how to unleash the intra-atomic energy that holds the elements
together (what we today call “atomic power”). Thus is firmly established a long
tradition in Science Fiction of writers getting past otherwise insuperable
scientific obstacles to their stories by punting to some vaguely described
future discovery, which allows the author to ignore otherwise inconvenient
facts.
Perhaps the first writer to employ such a
technique was H.G. Wells, in his novel First Men in the Moon. Wells had no
idea how to transport his heroes to our satellite, so he invented out of whole
cloth the idea of Cavorite, a
mysterious substance with the property of cancelling out the effects
of gravity. He had no need to explain how his magical substance actually worked
– he just declared it to do so, and off to the races. Forty years later, C.S.
Lewis was firmly in that tradition when, in the novel Out of the Silent Planet,
his scientist Weston explained that his interplanetary ship operated by “exploiting
the less observed properties of solar radiation.” No further explanation
necessary – let’s proceed with the story!
Thus SF is to this day littered with references
to Warp Drive, Hyperdrive, Inertialess Drive, or even (in Harry Harrison’s Bill
the Galactic Hero) Bloater Drive, as mechanisms by which to airily dismiss
the otherwise indisputable universal speed limit of C, the speed of light. Often, no explanation whatsoever is offered
the reader – it is simply assumed (without the slightest mention of the fact)
that Einstein’s Theory of Relativity has somehow been overturned. To me, the
cleverest of these workarounds is Gordon R, Dickson’s Quantum Drive in his Dorsai
Series, in which interstellar travel is made possible by somehow
manipulating the quantum states of all the subatomic particles of the
spacecraft to cause them to be elsewhere in the universe - right where you wanted them to be. How this could ever
be accomplished in the real world is left to the reader’s imagination.
But I can’t complain overmuch about such
fudging on the part of writers otherwise meticulously scrupulous in their
devotion to scientific accuracy. Without such fudging, all of our imaginative literature
would have been claustrophobically confined to our own Solar System. What E.E.
Smith and his disciples gave us was the possibility of Galactic Empire, interstellar
exploration, alien worlds and civilizations beyond number, and adventure beyond
our wildest imagination. And it all began here, with Dick Seaton’s copper steam
bath flying out that conveniently open window.
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